Identity for the Mano Alzada exhibition in its three editions, dissemination on networks.
First edition.
DosRíos was part of a series of exhibitions called Ciclo Visuales de radio at the FM bar La Tribu with the coordination and curatorship of Natalia Revale, Javier del Olmo and Ayelén Rodríguez.
Exhibition composed of Marina De Caro, Alejandra Fenochio, Florencia Fernández Frank, Colectivo Línea Peluda, Julia Masvernat, Natalia Pazmiño, Florencia Vespignani.
Photos: Javier Gramuglia
Screen prints: Cumby Giraudi
Second edition. Visual poetry.
Visual Poetry drawn by Hilda Paz, Daniela Mastrandrea, Ariel Gangi, Alejandro Thornton, Norberto José Martinez, Claudio Mangifesta, Omar Omar and Felix Torrez.
Photos: Javier Gramuglia
Screen prints: Cumby Giraudi
Third edition. RAISED HAND, visual polyphony in black and white.
Nine artists intervene from the line of the walls of La Tribu, walls of a radio that for 28 years has been gathering stories, stories, echoing voices, that speak uninterruptedly.
Drawers: Gabriela Alonso, Lolo Amengual, Viviana Blanco, Azul Blaseotto, Delfina Bourse, Daniel Leber, Daniel Lorenzo, Alberto Méndez and Eduardo Stupía.
Photos: Javier Gramuglia
Screen prints: Cumby Giraudi
If poetry is a weapon loaded with the future, perhaps this exhibition should have been called “Visual Poetry at Armed Forces.” Eight artists invited to intervene with a show of hands, in a collective gesture. Eight shots into the air from the radio. Weapon – fire poetry for a radio on. Soul – fire poetry for a lit life. The ethereal, immaterial poetry, which is a sound word and vibrates every day in the air of the radio. Visual poetry - today seen by freehand - that vibrates from color and form as containment of tribal space. Poems for those who want to hear and see. Poems: tools for action. Poetry is a loaded soul.
Natalia Revale and Javier del Olmo